Alternating Currents is generously funded by:
Alternating Currents Program
Alternating Currents (A/C) concretizes Public Energy’s ongoing support for local artists. Peterborough’s independent performance scene is characterized by interdisciplinary methodologies. It is often difficult for regional artists to fully develop new works, for reasons including lack of access to space, resources, training, a substantial pool of peers, and public recognition of their art forms.
The primary focus of the Alternating Currents Program is exploration, support, and refinement of specific elements of selected performance works-in-progress. Alternating Currents Program is directed by award-winning dramaturg Kate Story, whose expertise includes more than two decades of direction, choreography, and interdisciplinary creation, particularly in physical performance work. Alternating Currents supports a mix of emerging and established artists with diverse creative backgrounds.
Each project will work with an experienced mentor and dramaturge. Artists apply to the program annually and are selected by a jury process.
CALL TO ARTISTS CREATING NEW WORKS OF THEATRE, DANCE & PERFORMANCE
- Are you an artist – or group of artists – with a performance project that needs a boost?
- Have you got a project ready to be developed with performer(s)?
- Do you want some help with that?
Application deadline: 6 December 2018
Public Energy Performing Arts is seeking Peterborough/Nogojiwanong area performing artists to apply for our Alternating Currents’ 2019 mentorship program.
Alternating Currents (AC) is a theatre, dance, and performance workshop process managed by Public Energy Performing Arts. AC is intended to benefit artists (either individuals or a group of artists working as collaborators) who value research and development as a long-term process. The process will be led by professional mentor/dramaturges, experienced in creation techniques that include, dance, devised theatre and collaborative creation. The program will take place in summer June-July, 2019.
Alternating Currents will provide each successful submission with:
- A series of one-on-one mentor workshop sessions.
- Technical and administrative support.
- Artists’ fees for the lead artist and a limited number of artistic collaborators.
- A public presentation of the work-in-progress (artists can choose to opt out).
2019 Mentors: Kate Story, Patti Shaughnessy, & TBA
How participants are selected:
Participants in 2019’s Alternating Currents will be chosen by a selection committee. The selection process will take into account the performance history of the artists (quality of work, ability to see work to completion, professional artistic activity), the artistic needs of the work, and whether it would benefit from the support offered by our program. We are particularly interested in:
- Works beginning in places other than text
(movement, images, objects, research, improvisation, etc.)
- Exploring poetic or stylized text
- Integration of multidisciplinary elements such as sound, movement, technology and text
- A spirit of artistic inquiry
The successful applicants will be included in a funding application to the Ontario Arts Council.
Please note that the project may not be carried out if the OAC funding application is not approved.
What to send us:
- A ½ page (max) cover letter introducing yourself or your group and why your work is a good fit with the program.
- A one-page (max) project description including names of artistic collaborators, stage of development, and any special equipment you may need. You may include additional support material such as text or prior research.
- Artistic CV of principal artist(s). The principal artist – or one of them, if a group – must be a resident of the Peterborough/Nogojiwanong area (Peterborough City, County and neighboring First Nations and counties).
Note: You may submit additional video or audio support material (5 min max), or text, or research material (5 pages max), or images (5 max).
Performance works that are already in development or have already been workshopped are eligible. Your work must be ready to be workshopped with performers.
Deadline: 5 pm, December 6, 2018 Applicants will be notified by January 15, 2018.
For questions please contact: Victoria Mohr-Blakeney, Performance Curator firstname.lastname@example.org
Send proposals by email to: email@example.com or mail to: PO Box 2319, Peterborough, ON K9J 7Y8
2018 Alternating Currents
Alternating Currents 2018 Mentors: Kate Story, Marie Josée Chartier, and Patti Shaughnessy.
A multi-faceted artist, Marie-Josée Chartier moves easily between the worlds of dance, music, opera and multi-media in the roles of choreographer, performer, director, vocalist or teacher. Her choreographic works have been presented nationally in dance series and festivals such as the Canada Dance Festival, Dancing on the Edge, New Dance Horizons, Tangente, DanceWorks, and abroad in Potsdam, Prague, Vienna, Paris, Gent, Singapore, New York, Bogotà, Mexico and Santo Domingo. Ms. Chartier has received numerous choreographic commissions notably Vestige for Toronto Dance Theatre, fifty-one pieces of silver for Dancemakers, étude pour deux mammifères for Kaeja d’Dance, La Lourdeur des Cendres for Four Chambers dance project, A short voyage and Terrain from Jolene Bailie, and How to Wrestle an Angel for Old Men Dancing. Her work has been the subject of documentary films shown on national television and in diverse film festivals. She is the recipient of numerous awards, notably the 2001 K.M. Hunter Artist Award, the 2015 Jacqueline Lemieux Prize, nine Dora Mavor Moore Awards nominations in categories of choreography, direction and performance, a finalist for the Muriel Sherrin Award from the Toronto Arts Foundation honoring International Achievement in Dance. She won the 2002 Dora for fifty-one pieces of silver and shared with the collective URGE two Dora awards for And by the way Miss. Since 2000, Chartier has been active as a director in music, multi-media and opera productions and collaborates regularly with Queen of Puddings Music Theatre, the Gryphon Trio, Toca Loca, Tapestry Opera and l’Ensemble Contemporain de Montréal. Marie-Josée Chartier’s performing career has taken her on international and national stages as a freelance artist and with dance companies from Montreal and Toronto. She is a sought after guest teacher in major training centres and universities in Canada as well as in Latin America in the field of modern dance, movement for singers and musicians, voice exploration and improvisation.
Patti Shaughnessy is a proud activist, actor, director, and artistic producer of a range of theatre and multi-arts projects over the past decade. With an academic background in Indigenous Studies at Trent University (Peterborough) and formal theater training from the Centre for Indigenous Theatre (Toronto), Patti is co-founder of the O’Kaadenigan Wiingashk Collective (OKW) – a Peterborough-based Indigenous arts collective that has presented and organized workshops and master classes with several internationally acclaimed Indigenous artists as part of an annual Ode’min Giizis (Strawberry Moon) Festival (2008-2012). International theatre directing credits include, Ananna A/S (Casa Matriz); Rosa Marie-p tiquartikkaluarnera (The Occupation of Heather Rose); and Arnatsialaat, The Rez Sisters – all part of Patti’s work over the past 5 years as director, instructor, and tour leader for the National Theatre of Greenland. Patti will be making her Canadian directing debut with Drew Hayden Taylor’s play, Cottagers and Indians, commissioned by Tarragon Theatre. Hailing from the great nation of the Mchi Saagiig Anishnaabe of Curve Lake First Nation #35, Patti is also born 5th generation Irish. Patti currently lives part-time in Douro-Dummer township, where she rejuvenates and creates at her ancestral home and research laboratory.
Kate Story -Program Director
Kate Story is a writer, performer, director, and choreographer. She is a recipient of the Ontario Arts Foundation’s K.M. Hunter Artist Award in theatre.
In 2017 and 2018 Kate was Director of Public Energy’s Alternating Currents program, facilitating creative processes for wildly diverse artistic projects featuring over 30 artists. Kate has developed and co-run two multi arts festivals in Peterborough, working with presenters Fleshy Thud and Public Energy and a wide array of arts and non-arts community partners, featuring over 75 artists and including workshops, learning and mentorship opportunities for youth, panel discussions, and original performance works: A Certain Place (The Bernie Martin Festival), and Precarious: Peterborough ArtsWORK Festival. She is also one of the dance artists participating in Neighbourhood Dance Works’ exciting New Chapter dance project, bringing together Newfoundland dance artists for an innovative 3-year process with choreographers Christopher House and Anne Troake. Kate has co-created and/or performed with diverse theatre and dance artists, notably The Theatre on King, Fleshy Thud, Ryan Kerr, The Nervous System/Brad Brackenridge, Chartier Danse, 4th Line Theatre, R. Murray Schafer, Atlas Moves Watching Dance Projects/Bill James, mysterious entity/Em Glasspool, Nightwood Theatre/Alisa Palmer, Bananafish Productions/Kelly Thornton, DNA/Hillar Liitoja, Ground Zero Productions/Don Bouzek, Caravan Stage Company, and many others.
2018 Alternating Currents Artists
In Alternating Currents’ 2018 program…
Established theatre artist Lee Bolton and established poet Kathleen McConnell explore the story of their 50 year friendship through memory, photos, letters, and other artifacts, with an eye to creating a performance work/installation.
Ann Jaeger, an established visual artist, works with dance-theatre artists to collaboratively create a short performance to accompany the launch of a handmade book of her evocative photographs “A Lexicon of Chairs” by a local indie publisher bird, buried press.
Theatre artist Anne White works with collaborators from her Ring O’ Rosie collective Miranda Jones and Lillian Ross-Millard, to bring puppetry, audio storytelling, and devised theatre techniques to an exploration of the past life of the Peterborough house in which she lives, interweaving history and biography with images drawn from 1950s Hollywood.
Naomi Duvall, theatre, puppet, and burlesque artist, develops performance-object-centred autobiographical work about a scarf and her beloved grandmother.
Jessica Rowland develops character-based performance skills, focusing on movement to illuminate an original poetic performance text work “Icarus and the Angel” with strong design elements and environmental themes.
Theatre writer/director Wyatt Lamoureux and award-winning writer/theatre artist Janette Platana focus on movement and vocalization to develop Wyatt’s work about a connection between a homeless man and a frightened woman.
2017 Alternating Currents Artists
Alternating Currents 2017
The processes for 2017 were led by dramaturg/director Kate Story, a Peterborough-based theatre artist and writer with a strong background in mentorship and the creation of physical performance work.
Nicole Malbeuf, a new-generation circus artist, explores water scarcity, drawing on her experience on a local organic farm. For “Capturing Water” Nicole has experimented with aerial rigging, but looks to Alternating Currents to help shape the performance and investigate character and performance text.
Ann Jaeger is an established multi-disciplinary artist interested in creating a non-linear performance. “At times like these we all become angels” seeks to evoke complex feelings about time, love and loss, and displacement, using letters from a 30-year friendship and media elements.
Ian McLachlan (writer) and Michael Morse (composer) have been collaborating on the experimental opera “Penelope.” The first draft of the libretto and the music have been workshopped; the artists are looking to A/C to gain clarity around the intersection of text, sound, and dance.
Devised theatre company Ring O’ Rosie is developing the new work which proposes to turn the act of adaptation inside-out. In the play, detective Marie investigates her own death as portrayed in Buchner’s play “Woyzek.”
Historical playwright Ryan Kerr wishes to develop a personal work about the Great War. Also a dance artist, Ryan is keen to bring in the full range of artistic responses to the War, particularly Dadaist music and theatre, the war poets, and family history.
2017 Alternating Currents also provides creative consultation for two works at very early stages. Writer Elisha Rubacha proposes a new play exploring intergenerational trauma, anti-Semitism, lies, and repetition. Visual artist Wendy Trusler wishes to explore the potential for a travelling archive of over 4,000 letters to be developed into a short script.