Call for Local Artists in Residence
Public Energy Performing Arts’ Local Artist Residency Program provides an artist with administrative support, grant writing support, seed funding (between $1,500 and $2,500 depending on funding that is yet to be confirmed) and mentorship to support their artistic practice. The Public Energy Artist Residency supports an artist’s creative process at any stage of development. This program is open to all artists living in Peterborough and neighbouring counties as well as Treaty 20 Territory of the Williams Treaties.
Deadline extended to April 20th, 2020
Public Energy’s Artist Residency Program offers performing artists the opportunity to develop the technical aspects of their work: lighting, scenography, stage management, sound and projection in our home venue, the Market Hall Performing Arts Centre. These residencies give artists the valuable experience of financially supported time within a well equipped facility, helping them to develop and professionalize the technical aspects of their work. Residencies often culminate with a performance, either the premiere of a new work or re-mount of an existing one, giving smaller to mid-range companies and artists the chance to advance their creative work on a specific project. While in residence, artists also take part in our In Your Space Community Workshop Series which provides community groups and organizations in Peterborough access to the performing arts via hands-on learning experiences.
2019-2020 Artists in Residence:
Melissa Addison-Webster is a performance artist. As a Queer woman living with disabilities who is also settler, she has a varied career in the Disability and Integrated Arts fields. Melissa’s practice endeavours to create more understanding, harmony, and respect across society combining her passions of spiritual and social change, She has studied Expressive Art Therapy, (Haliburton School of the Arts), has an Honours Degree in History (Trent) and an Honours Degree in Social Work (Lakehead). Melissa performed at the 8 to 8, From the Floor (Peterborough) and the FFIDA Dance Festival (Toronto). She has collaborated with The Theatre Centre (Toronto), Picasso Pro (Toronto), Propeller Dance (Ottawa), and Michelle Silagy (The School of Toronto Dance Theatre). As a Crip arts advocate, Melissa has made presentations about her arts practice at The Power Plant Contemporary Art Gallery Sunday Series (Toronto) and H’Art School Able Artist (Kingston). She has facilitated dance classes at York University, the Regional Ontario Contact Improv Jam and through her private social work practice. Most recently she presented Appendages Revisited at Artsweek Peterborough in collaboration with the Brain Injury Association Peterborough Region.
Anne White is a Nogojiwanong/Peterborough-based artist, learning how to live and work respectfully on land and waters governed by the Williams Treaties. With a background in physical, collaborative and devised theatre, she makes live performance works, frequently developed and performed outside of traditional theatre spaces.
Anne’s work explores institutional structures of power (social, cultural, historical, technological, etc.) and how these structures constitute our spatial, temporal, aesthetic, embodied and emotional experiences of a place. By making these structures of power visible through art, we can explore strategies for questioning and subverting them.
She has her BA (Honours) in Theatre Studies and History and has trained with Zuppa Theatre Co., Adam Paolozza, and Quote Unquote Collective, among others. She is a recent recipient of Theatre Ontario’s Professional Theatre Training Program and has been commissioned by local festivals including Artsweek (2018). Anne is a co-founder of the arts collective Ring O’ Rosie and regularly collaborates with artists from other disciplines.
2018-2019 Artists in Residence:
Roshanak is an Iranian-Canadian artist and activist based in Toronto. She creates inter-disciplinary dance works that are thought provoking, emotionally driven and politically charged. The stories and lived experiences of racialized women motivate her artistic inquiry, as do her frequent travels and unique collaborations with artists, scholars and activists. She has spent the last two decades cultivating her practice which now focuses on the intersection of art and social justice. Roshanak is interested in re-envisioning traditional dance aesthetics, integrating multiple art forms and experimenting with different avenues to creation. Her work is grounded in a research informed artistic practice that reflects her commitment to ethically and authentically share the stories, experiences and cultures she draws inspiration from. Roshanak’s work has been supported by all three arts councils, and has been presented in Canada, US, and Europe.
Brandy creates contemporary performances through the body: active as a dancer, choreographer, aerialist, writer, arts advocate, community cultivator, space maker, Artistic Director, educator and curator. Her performance works have been produced and performed in Canada, Europe, India, South Africa and the USA in theatres, urban environments, festivals, museums, art galleries and isolated landscapes.
She has lived between Canada and India for the past 17 years training, collaborating and creating (both explicitly and implicitly) in the traditional Indian performing languages of Seraikella and Mayurbhanj Chhau (dance), Kalarippayattu (martial art) and Rope Mallakhamb (aerial rope). In Canada she works with western approaches to aerial rope, the bridge discipline of Axis Syllabus, post contemporary dance/circus practices and psychic/shamanistic explorations to create performances.
She founded Anandam Dancetheatre as an umbrella structure for her performance projects (www.anandam.ca) and is its Artistic Director. She is a founder and Co-Director of Collective Space (an alternative performance and rehearsal venue in Toronto’s west end), Founder and Co-Artistic Director of CCAFT (Contemporary Circus Arts Festival of Toronto), developer of Anandam’s Audience In Residence Program and curator/co-producer of the Body Brake dance series at Theatre Passe Muraille. She is a driving force in the evolution of contemporary circus practice in Toronto as a choreographer, performer, curator and festival director working from values of experimentation, discourse development, curiosity and collaboration.
2017-2018 Artist in Residence:
Brian Solomon is of Anishinaabe and Irish descent, born and raised in the Northern Ontario community Shebahonaning-Killarney. Solomon is passionate about helping people relearn about their forgotten bodies, and take back the space those bodies occupy. Solomon’s residency was supported by Trent University and the Chanie Wenjack School for Indigenous Studies.
Nogojiwanong Rite of Spring is a site-specific dance performance created by Brian Solomon and members of the community during his residency. The performance wass a re-envisioning of the 1913 early modern ballet, Rite of Spring, via a contemporary Anishinaabeg lens, featuring Igor Stravinsky’s seminal score reimagined by Melody McKiver. It was performed by community members and professional dance artists, taught via an open rehearsal/workshop process over the duration of Brian Solomon’s six-week artistic residency with Public Energy. It took place on a downtown Peterborough parking lot that is an Anishinaabe burial site.
During Brian Solomon’s six-week residency at Public Energy, he taught a series of workshops with the Chanie Wenjack School for Indigenous Studies. He also lead an additional six movement workshops for community organizations in Peterborough, including: Nogojiwanong Friendship Centre, Yes Shelter For Youth And Families, LOFT Downtown Youth Space, and the New Canadians Centre in partnership with Voice of A Nation.