Public Energy’s Artist Residency Program offers performing artists the opportunity to develop the technical aspects of their work: lighting, scenography, stage management, sound and projection in our home venue, the Market Hall Performing Arts Centre. These residencies give artists the valuable experience of financially supported time within a well equipped facility, helping them to develop and professionalize the technical aspects of their work. Residencies often culminate with a performance, either the premiere of a new work or re-mount of an existing one, giving smaller to mid-range companies and artists the chance to advance their creative work on a specific project. While in residence, artists also take part in our In Your Space Community Workshop Series which provides community groups and organizations in Peterborough access to the performing arts via hands-on learning experiences.
2018-2019 Artists in Residence:
A multi-faceted artist, Marie-Josée Chartier moves easily between the worlds of dance, music, opera and multi-media in the roles of choreographer, performer, director, vocalist or teacher. Her choreographic works have been presented nationally in dance series and festivals such as the Canada Dance Festival, Dancing on the Edge, New Dance Horizons, Tangente, DanceWorks, and abroad in Potsdam, Prague, Vienna, Paris, Gent, Singapore, New York, Bogotà, Mexico and Santo Domingo. Ms. Chartier has received numerous choreographic commissions notably Vestige for Toronto Dance Theatre, fifty-one pieces of silver for Dancemakers, étude pour deux mammifères for Kaeja d’Dance, La Lourdeur des Cendres for Four Chambers dance project, A short voyage and Terrain from Jolene Bailie, and How to Wrestle an Angel for Old Men Dancing. Her work has been the subject of documentary films shown on national television and in diverse film festivals. She is the recipient of numerous awards, notably the 2001 K.M. Hunter Artist Award, the 2015 Jacqueline Lemieux Prize, nine Dora Mavor Moore Awards nominations in categories of choreography, direction and performance, a finalist for the Muriel Sherrin Award from the Toronto Arts Foundation honoring International Achievement in Dance. She won the 2002 Dora for fifty-one pieces of silver and shared with the collective URGE two Dora awards for And by the way Miss. Since 2000, Chartier has been active as a director in music, multi-media and opera productions and collaborates regularly with Queen of Puddings Music Theatre, the Gryphon Trio, Toca Loca, Tapestry Opera and l’Ensemble Contemporain de Montréal. Marie-Josée Chartier’s performing career has taken her on international and national stages as a freelance artist and with dance companies from Montreal and Toronto. She is a sought after guest teacher in major training centres and universities in Canada as well as in Latin America in the field of modern dance, movement for singers and musicians, voice exploration and improvisation.
Roshanak is an Iranian-Canadian artist and activist based in Toronto. She creates inter-disciplinary dance works that are thought provoking, emotionally driven and politically charged. The stories and lived experiences of racialized women motivate her artistic inquiry, as do her frequent travels and unique collaborations with artists, scholars and activists. She has spent the last two decades cultivating her practice which now focuses on the intersection of art and social justice. Roshanak is interested in re-envisioning traditional dance aesthetics, integrating multiple art forms and experimenting with different avenues to creation. Her work is grounded in a research informed artistic practice that reflects her commitment to ethically and authentically share the stories, experiences and cultures she draws inspiration from. Roshanak’s work has been supported by all three arts councils, and has been presented in Canada, US, and Europe.
Brandy creates contemporary performances through the body: active as a dancer, choreographer, aerialist, writer, arts advocate, community cultivator, space maker, Artistic Director, educator and curator. Her performance works have been produced and performed in Canada, Europe, India, South Africa and the USA in theatres, urban environments, festivals, museums, art galleries and isolated landscapes.
She has lived between Canada and India for the past 17 years training, collaborating and creating (both explicitly and implicitly) in the traditional Indian performing languages of Seraikella and Mayurbhanj Chhau (dance), Kalarippayattu (martial art) and Rope Mallakhamb (aerial rope). In Canada she works with western approaches to aerial rope, the bridge discipline of Axis Syllabus, post contemporary dance/circus practices and psychic/shamanistic explorations to create performances.
She founded Anandam Dancetheatre as an umbrella structure for her performance projects (www.anandam.ca) and is its Artistic Director. She is a founder and Co-Director of Collective Space (an alternative performance and rehearsal venue in Toronto’s west end), Founder and Co-Artistic Director of CCAFT (Contemporary Circus Arts Festival of Toronto), developer of Anandam’s Audience In Residence Program and curator/co-producer of the Body Brake dance series at Theatre Passe Muraille. She is a driving force in the evolution of contemporary circus practice in Toronto as a choreographer, performer, curator and festival director working from values of experimentation, discourse development, curiosity and collaboration.
Patti Shaughnessy is a proud activist, actor, director, and artistic producer of a range of theatre and multi-arts projects over the past decade. With an academic background in Indigenous Studies at Trent University (Peterborough) and formal theater training from the Centre for Indigenous Theatre (Toronto), Patti is co-founder of the O’Kaadenigan Wiingashk Collective (OKW) – a Peterborough-based Indigenous arts collective that has presented and organized workshops and master classes with several internationally acclaimed Indigenous artists as part of an annual Ode’min Giizis (Strawberry Moon) Festival (2008-2012). International theatre directing credits include, Ananna A/S (Casa Matriz); Rosa Marie-p tiquartikkaluarnera (The Occupation of Heather Rose); and Arnatsialaat, The Rez Sisters – all part of Patti’s work over the past 5 years as director, instructor, and tour leader for the National Theatre of Greenland. Patti will be making her Canadian directing debut with Drew Hayden Taylor’s play, Cottagers and Indians, commissioned by Tarragon Theatre. Hailing from the great nation of the Mchi Saagiig Anishnaabe of Curve Lake First Nation #35, Patti is also born 5th generation Irish. Patti currently lives part-time in Douro-Dummer township, where she rejuvenates and creates at her ancestral home and research laboratory.
2017-2018 Artist in Residence:
Brian Solomon is of Anishinaabe and Irish descent, born and raised in the Northern Ontario community Shebahonaning-Killarney. Solomon is passionate about helping people relearn about their forgotten bodies, and take back the space those bodies occupy. Solomon’s residency was supported by Trent University and the Chanie Wenjack School for Indigenous Studies.
Nogojiwanong Rite of Spring is a site-specific dance performance created by Brian Solomon and members of the community during his residency. The performance wass a re-envisioning of the 1913 early modern ballet, Rite of Spring, via a contemporary Anishinaabeg lens, featuring Igor Stravinsky’s seminal score reimagined by Melody McKiver. It was performed by community members and professional dance artists, taught via an open rehearsal/workshop process over the duration of Brian Solomon’s six-week artistic residency with Public Energy. It took place on a downtown Peterborough parking lot that is an Anishinaabe burial site.
During Brian Solomon’s six-week residency at Public Energy, he taught a series of workshops with the Chanie Wenjack School for Indigenous Studies. He also lead an additional six movement workshops for community organizations in Peterborough, including: Nogojiwanong Friendship Centre, Yes Shelter For Youth And Families, LOFT Downtown Youth Space, and the New Canadians Centre in partnership with Voice of A Nation.